Biography
Felipe Sepúlveda (Chile), aka Alfacenttauri, is a researcher and multidisciplinary artist focusing on aesthetic processes concerning technology and the exploration of internet as the main environment for sensitive interactions. Alfacenttauri's artworks goes from digital ecosystems to fantasy compositions. The manipulation of 3D and digital processes are recurring devices that detonates the motifs towards his creation, among the persuit the radical side of digital art, as a way to create narratives that encourages discussion regarding future damaged and the experience from the third world.
Website: https://alfacenttauri.mmm.page/
In the collection:
- Sol infinito, 2024, MP4, 00:38 (view the artwork)
- Unknown Realm, 2024, MP4, 00:30 (view the artwork)
- Sky Archeology, 2024, JPG (view the artwork)
- Ether rave, 2024, MP4, 00:20 (view the artwork)
- Pieridae, 2022, JPG (view the artwork)
- the land of nü, 2022, JPG (view the artwork)
- Portal de un nuevo mundo, 2022, JPG (view the artwork)
- Cornucopia, 2022, JPG (view the artwork)
- Insects, 2022, JPG (view the artwork)
Focus on:
Sol infinito
2024
MP4, 00:38
view the artwork
In Sol infinito, Alfacenttauri evokes a vision of cosmic rebirth in which living and non-living matter reinvent themselves. This brings to mind ancient myths of cyclical renewal, such as the fiery death and resurrection of the phoenix. Petrified plants are represented as jewels. Stones have lost their weight. Fossilised eyes and rose-tinted cells suggest the transformation of living matter into primordial matter - an echo of creation and destruction. The refraction of light at the heart of the earth and the music that accompanies it invite us to contemplate infinite cycles: creation is not harmony or immobility, but a relentless and chaotic becoming.
2024
MP4, 00:38
view the artwork
In Sol infinito, Alfacenttauri evokes a vision of cosmic rebirth in which living and non-living matter reinvent themselves. This brings to mind ancient myths of cyclical renewal, such as the fiery death and resurrection of the phoenix. Petrified plants are represented as jewels. Stones have lost their weight. Fossilised eyes and rose-tinted cells suggest the transformation of living matter into primordial matter - an echo of creation and destruction. The refraction of light at the heart of the earth and the music that accompanies it invite us to contemplate infinite cycles: creation is not harmony or immobility, but a relentless and chaotic becoming.